Strona główna
Poland 1 | Poland 2 | World A-E | World F-N | World O-Z | Linki | Technika | Wydarzenia | Magazyn
Bibliografia | Kontakt
Eugene Sokolov (Rosja) Oleg Tarasov (Rosja) Ilya Tishchenko (Rosja) Lyudmila Zinchenko (Rosja) Lawrance Brennon (RPA) Florian Ispas (Rumunia) Patrick Caloz (Szwajcaria) Lena Källberg (Szwecja) Serhat Yalman (Turcja) Andriy Dzugaev (Ukraina) Roger & Daniele Bradley (UK) Jamie Hous (UK) Richard Kearns (UK) Mark Tweedie (UK) Diana Bloomfield (USA) Therese Brown (USA) Mark Fohl (USA) Scott Speck (USA) Spiffy Tumbleweed (USA) Attila Hupjan (Węgry) Romulo Pena (Wenezuela) Alessandra Capodacqua (Włochy) Luigi Cipparrone (Włochy) Rosario Consonni (Włochy) Ugo Conti (Włochy) Riccardo Gazzarri (Włochy) Danilo Pedruzzi (Włochy) Samuele Piccoli (Włochy) Nevio Presotto (Włochy) Massimo Stefanutti (Włochy) Ezio Turus (Włochy) Mattia Vavassori (Włochy)


Simplicity is the better way to draw near to the things, The simplicity in Pinhole photografy is direct, not mediate by technology or time. What in fact sparks my imagination is that with Pinhole photografy makes it possible to tranfer in the images you take the time dimension. In other words you are in fact taking pictures of subjet and time flowing around it. For this reason in a half-serious tone I joke calling these pictures 3D images. I naturally prefer subjetcts that have or are in background coherent movents with this particular media used. Generally I make my cameras and holes. The images you see here where from modified 6x9 MOKBA-V.

Nevio Presotto
Italy

E-Mail: info@neviopresotto.it




Strona: [1]  2  3  4  5  6  
© 2008 Pinhole
Wszelkie prawa zastrzeżone